No Stream You Can Follow
The following is excerpted from a conversation with Jane Hollister
Wheelwright and her husband, Jo Wheelwright. This informal interview took
place in October of 1999 and was conducted by John Kiewit and Cynthia
Carbone Ward.
The seasons form a great circle in their changing, and always come
back
again to where they were. Black Elk
"I can't remember the dates or timeline of events," says Jane
Hollister Wheelwright, " because everything becomes cyclical. There's
no stream that you can follow. It's just cycles, over and over."
Ranch life seems to teach this. Our history is not simply a linear progression
of events but a circle of seasons fading into each other. Jane and her
husband Jo Wheelwright are reminiscing from Tepitates, the "high
and sacred place" where they make their home. The day is hot and
still, and the room is awash in sunlight. We let sequence be damned and
dance among the decades, but our focus is the Ranch.
"My father, John James Hollister, was the Ranch, and the Ranch was
my father," Jane tells us. "He was born here and lived his whole
life here. He loved this place. He was a gentle man, not a big, noisy
scrapper, as some were."
"He was gentle and polite," Jo agrees. "When I was studying
French literature, he read the English translations of the books I thought
were good. He was interested enough to do that. I can just see him with
his foot up in the arm of his rocking chair, reading."
"He was more of an environmentalist than a lot of environmentalists
now," Jane continues, "but he didn't know it by that name. It
was wilderness when he came here. He settled in that canyon where the
house is, and he developed it. And he was the first one to do that. But
he could see that the wildlife was an integral and necessary part of the
land. He had a natural wisdom. He was very observant. He didn't miss anything."
In addition to her twin brother Clint, Jane had two older brothers: Jack
and Joe. They were schooled at Harvard and Yale, partly because Jane's
mother was, as Jo Wheelwright irreverently puts it, "drawn to the
snottiest places she could find."
"It was to compensate for living in the sagebrush," Jane quickly
retorts.
There was a kind of ongoing war between the East Coast educated brothers
and their father, who had learned a great deal through experience. At
one point, the brothers had the bright idea of planting elephant grass
at the Ranch and finally convinced their father to let them try it.
"But the cattle wouldn't eat it," Jane tells us. "It was
too tough. And so they had a very expensive laugh over that."
There were actually five ranches back then. And when Jane's grandfather,
William Welles Hollister, died, his wife had decided to sell it all.
"My grandmother hated the Ranch," Jane says, "because
her husband -- that was my grandfather -- was away all the time, and it
was always 'the Ranch.' She was lonely."
"And so my father was sent to look it all over, because he was supposed
to help set an asking price, and he did it on horseback. He came down
the Santa Anita Canyon and found the grass so tall that he could hardly
see his way. He could tie the grass across his saddle -- it was that high!
And he said grass like that should feed an awful lot of cattle. So he
went to his mother and said, 'We're not selling.' I don't know what she
did. That part of the story's not told."
"But that was the beginning. He stopped the sale. And he stood up
against the whole family on that."
"...what he saw was that cattle turned loose on their own will find
their way up into all these places, and they'll get fat on it."
"And not only that -- he saw how beautiful it was."
"It's just as beautiful to me, Jane, as it was when Clinty brought
me out here in 1927," Jo says, "and that's quite a few years
ago."
"Yeah, that's a long time," Jane replies.
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